Documentary - Preparing for our Pitch (Notes)
Preparing for our pitch (Notes)
What is at the ‘PITCH’
- It is your chance to sell our idea
- Usually presented to the programme editor or a senior producer
What is the purpose of a pitch?
- To allow you to opportunity to deliver a presentation of your idea and to flesh it out so your audience can visualise your film
- It is also a chance to get some constructive feedback.
creating a ‘working hypothesis’
- In his boor ‘directing the documentary’ (2009), Rabiger suggests using 8 questions to form your working hypothesis:
- In life I believe that [your life principle concerning this subject]
- My film will show this in action by exploring [situations]
- My central characters are [their characteristics]
- What each wants to get, do or accomplish
- The main conflict in my film is between.
Preparing your proposal.
- Your idea must have a central hypothesis around which your film forms its opinions and conclusions
- You should then write this up in a PROPOSAL which is always in the present tense and has an ‘active voice’
Include - who/what/when/where/why/how
- Title (can be working title - Sell the idea
- TOPLINE ie like a newspaper headline to the story - ANGLE
- STORY OUTLINE - about a paragraph -USP -“WHAT” & “WHY” (SELL the idea
- STYLE/FIMIC APPROACH/ TREATMENT - VISUAL AESTHETIC & WHY
- CENTRAL AND MINOR CHARACTERS - “WHO”
- HIGHLIGHT ANY TENSION IN THE SOTRY
- STORYTELLING DEVICES:
- EG investigation/journey/day in the life etc - “when/how”
- Remember “show don’t tell” rule
- LOCATION/S - “WHERE”
- STORY RESOLUTION
Body language and style
- Preparation is vital
- Think of the prep as similar to a job interview or a sales pitch
- Consider the pace of your delivery
Be enthusiastic and add colour to be written proposal in your verbal delivery.
- It is usual to feel nervous so rehearse our pitch to another group for feedback
Pitching dos
- Be Brave and surprised
- Be passionate and engaging
- Challenge conventions - new angles
- Pitch ideas in a paragraph
- Pitch the top line - articulate it in a sentence
- Know existing output and spot opportunities
- Develop a dialogue with commissioners
- Pitch ideas and stories not subject matters.
Pitching don’ts
- Send lots of ideas - be focussed
- Patronise editors with gimmicks
- Water down the idea too soon
- Flog a dead horse/old chestnuts
- Develop ‘ off message’ ideas I.e. Not right for slot/channel/brand etc
- Make promises you can’t keep
- Ensure ideas worked up
- Worry about ‘fancy’ presentations
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